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Orchestration, Score and Parts
Arranger Keith Christopher
A fresh and festive version of one of our oldest hymn tunes, Old 100th. The melody is supported by an ancient martial feel at the beginning, leading to a powerful fanfare upon the final statement. It is voiced in a good key for corporate singing at the end, for possible use as an offertory with congregational singing, or as a stand alone orchestra feature. Keith Christopher's exciting arrangement should be in every church orchestra's libray; it will be used over and over.
Arranger Keith Christopher
A fresh and festive version of one of our oldest hymn tunes, Old 100th. The melody is supported by an ancient martial feel at the beginning, leading to a powerful fanfare upon the final statement. It is voiced in a good key for corporate singing at the end, for possible use as an offertory with congregational singing, or as a stand alone orchestra feature. Keith Christopher's exciting arrangement should be in every church orchestra's libray; it will be used over and over.
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